![]() This is gathered from available information. It may be that Arati was introduced to Aryans after their contact with Dravidian culture and perhaps it became more popular in the Bhakti Tradition of worship or devotion to a personal God. Similarly, Arati is not mentioned in the Five Upachars or Prakaar. In reality, Arati is not included in the sixteen forms of daily ritual worship. Arati is an indigenous or Dravidian word and auspicious five lamps, incense, and lighted wicks are its different forms (for different timings of the day). That is why Arati, as an expression of devotion, has become respected by people and the devotees look upon it as a necessary contributive form of worship. The necessary atmosphere for utmost concentration is produced. Because of the whole atmosphere created with the resounding music of auspicious musical instruments, Arati leads to the high concentration of the total congregation. Arati is a specially significant offering of worship. That is why worship (puja) performed with all its different accessories of the idol with flowers, garments and ornaments creates in the mind of the devotee a distinctive attachment for the Lord. For the ordinary man, the abstract idea, the formless concept of God, has always been incomprehensible. The devoted worship (Upasana) of the highest entity (Parameshwar), in its form with all its attributes is of great importance.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |